Sarah ‘Saartjie’ Baartman, the “Hottentot Venus”

Grigely is discussing how Western culture appropriated artifacts from the colonised world and used them as a basis for justifying the further expansion and suppression of the colonised. Here the colonised, the oppressed, is the disabled body. Continue reading “Sarah ‘Saartjie’ Baartman, the “Hottentot Venus””

Sander L. Gilman, Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature

Gilman’s essay points out that at the time Baartman was exhibited there were a number of conventions that were synchronic and gave rise to ideologies concerning women, blacks and sexuality. Continue reading “Sander L. Gilman, Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature”

Lennard Davis, The Disability Paradox: Ghettoisation of the Visual

In this extremely pertinent and thought-provoking essay, Davis looks at what he calls the paradox of disability in the visual arts. Continue reading “Lennard Davis, The Disability Paradox: Ghettoisation of the Visual”

Lennard J. Davis, Nude Venuses, Medusa’s Body, and Phantom Limbs: Disability and Visuality

This essay opens with a description of a woman:

“She has no arms or hands, although the stump of her upper right arm extends just to her breast. Her left arm has been severed and her face badly scarred, with her nose torn at the tip and her lower lip gouged out. Fortunately, her facial mutilations have been treated and are barely visible, except for minor scarring visible only up close. The big toe of her right foot has been cut off, and her torso is also covered with scars, a particularly large one between her shoulder blades, one that covers her shoulder, and one covering the tip of her breast where her left nipple was torn out.

Yet, she is considered one of the most beautiful female figures in the world.” (Davis 2004, p 51)

Continue reading “Lennard J. Davis, Nude Venuses, Medusa’s Body, and Phantom Limbs: Disability and Visuality”

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