“Every photograph is an act amid a complex structure of choices. These choices, which extend beyond the time of the photograph, influence the photograph before, during, and after its instant. Reading photographs in context is a participation in this complex,” (David Levi Strauss 2005, p 33).
Although we have faith in the assumed ‘reality’ of photographs because of their scientific origins (the products of optics and chemistry), Andy Grundberg contends that it is their meanings that are up for grabs, since these are determined “not so much by the camera as by the human being behind the machine and by the contexts in which the resulting images are seen” (1990, n.p.). Continue reading “Image reading and context”