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Carl Whetham photography

OCA Photography Level 3: Advanced

  • Home
  • Contents
    • About
    • Background & Rationale
    • Initial proposal
    • Production of the photofilms
    • Lessons learned & further practice
    • Works cited
  • Assignments
    • Assignment 1
      • Dinara Assignment 1
      • Dinara Assignment 1 Tutor report
      • Dinara Assignment 1 Tutor report response
    • Assignment 2
      • Dinara Assignment 2
      • Dinara Assignment 2 Tutor report
      • Dinara Assignment 2 Tutor report response
    • Assignment 3
      • Adilzhan Assignment 3
      • Adilzhan Assignment 3 Tutor report
      • Adilzhan Assignment 3 Tutor report response
    • Assignment 4
      • Dinara Assignment 4
      • Dinara Assignment 4 Tutor report
      • Dinara Assignment 4 Tutor report response
    • Assignment 5
      • Adilzhan Assignment 5
      • Adilzhan Assignment 5 Tutor report
      • Adilzhan Assignment 5 Tutor report response
    • Assignment 6
      • Yernar Assignment 6
      • Yernar Assignment 6 Tutor report
      • Yernar Assignment 6 Tutor report response
    • Coda
  • Disability Research
    • Attitudes to disability in the media
      • Disability, charity images and stereotypes
        • Common media stereotypes
        • Overcoming disability – the ‘supercrip’
        • Inspiration Porn
      • Disability in fashion and advertising
        • Disability as parody of mainstream
        • Inclusion – Mainstream Media
        • Viktoria Modesta & The Alternative Limb Project
      • Disability in film
      • Other mass media portrayals of disability
      • Freaks, circus performers – early representations
        • Freakery: Cultural Spectacles of the Extraordinary Body
        • Lewis Hine
        • Sebastião Salgado, The End of Polio
        • The Beauty and the Freak
      • Visual Rhetorics of Disability in Popular Photography
    • Disabled artists / Artists on disability
      • The Enfreakment of Photography
        • Diane Arbus and her ‘freaks’
        • Winogrand and disabled people
        • David Hevey
      • Nicholas Nixon: photographing the fragility of the human condition
      • Disability culture
      • Vital Signs: Crip Culture Talks Back
      • Cheryl Marie Wade
      • Frank Moore
      • Jim Ferris
      • Riva Lehrer
      • Sunny (Sunaura) Taylor
        • Examined Life with Judith Butler
      • Chuck Close
        • Facing Dyslexia: The Education of Chuck Close
        • Bruce Gilden
      • Disability and photography
        • The ADA image project
        • Tom Olin
        • Christopher Voelker
        • Loren Worthington
        • Kevin Connolly
        • Palestinian war correspondents
        • Anne Geddes, Protecting Our Tomorrows: Portraits of Meningococcal Disease
        • Pete Mansell
        • Douglas McCulloh, Blind Photographers: Vision, Accessibility, and Empowerment in the Museum
          • Pete Eckert
          • Gerardo Nigenda
          • Evgen Bavčar
      • Sophie Calle, Les Aveugles
        • Joseph Grigely, Postcards to Sophie Calle
          • Sarah ‘Saartjie’ Baartman, the “Hottentot Venus”
          • Sander L. Gilman, Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature
      • Lennard Davis, The Disability Paradox: Ghettoisation of the Visual
        • Marc Quinn
        • Alison Lapper
      • Lennard J. Davis, Nude Venuses, Medusa’s Body, and Phantom Limbs: Disability and Visuality
        • Mary Duffy
      • Narratives of illness & disability
        • Jo Spence
        • Hannah Wilke
        • Matuschka
        • Bob Flanagan, Supermasochist
        • Tobin Siebers, My Withered Limb
        • Disability, Life Narrative, and Representation
      • Marie Chouinard, “bODY_rEMIX / gOLDBERG_vARIATIONS”
    • Disability and sexuality: reclaiming the disabled body
      • Ellen Stohl
      • Kyla Harris
      • Belinda Mason-Lovering, Intimate Encounters
      • Rasso Bruckert, Perfect Imperfection
    • Disability and dependency: access to education and employment
      • Interdependency, precariousness and the myth of autonomy
    • Disability and the right to life
      • Galton and Eugenics
      • Selling Murder: The Secret Propaganda Films of the Third Reich
      • From Eugenics to Patents: Genetics, Law, and Human Rights
    • Disability Theory
      • Terminology
      • History of disability as social issue
      • Disability Studies – the medical and social models
      • Defining disability
      • Disabled identity
      • Disability and identity politics
      • Researching the disabled identity: contextualising the identity transformations which accompany the onset of impairment
      • Stigma and social attitudes
      • Psychological effects of disability
      • Constructing normalcy
        • The Social Construction of Disability
          • Martha’s Vineyard
          • The Thrice Shy: Cultural Accommodation to Blindness and Other Disasters in a Mexican Community, by John Langston Gwaltney
      • Disability in Theory: From Social Constructionism to the New Realism of the Body
      • The End of Normal
      • Disability discrimination: The ADA & backlash; DDA
    • Informed Consent
      • Fred Wiseman, Titicut Follies
      • The Politics of Asking and the Myth of Informed Consent, Carolyn Anderson & Thomas W. Benson
      • The Conundrum of Competing Rights, Carolyn Anderson
      • The Right of Privacy and Freedom of the Press, Thomas I. Emerson
      • Informed Consent: Must or Myth? by Willemien Sanders
      • Ultimately We Are All Outsiders: The Ethics of Documentary Filming, Calvin Pryluck
      • “You Still Takin’ Notes?” Fieldwork and Problems of Informed Consent, Barrie Thorne
      • Lisa Henderson, Access and Consent in Public Photography
      • Fred Wiseman, Adjustment and Work
    • Compassion fatigue
      • David Campbell, The Myth of Compassion Fatigue
      • James Johnson, ‘The Arithmetic of Compassion’: Rethinking the Politics of Photography
      • Paul Slovic, “If I look at the mass I will never act”: Psychic numbing and genocide
      • Susan Moeller
      • Zbigniew Herbert, Mr. Cogito
    • Conclusion
  • Documentary Research
    • Documentary and narrative traditions
      • The art of storytelling and the construction of narratives
      • Beaumont Newhall, Documentary Approach to Photography
        • Ben Shahn: Robert Frank’s precursor?
        • Erich Salomon
      • Thomas Annan: socially concerned photographer?
      • Allan Sekula, Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)
        • Fred Lonidier
        • Phel Steinmetz
      • Allan Sekula, photo works
        • Studs Terkel
        • David Antin
      • Serving Up the Poor as Exotic Fare for Voyeurs
      • Power of photography to change public opinion
    • Image-text combination as narrative instrument
      • Erskine Caldwell & Margaret Bourke-White, You Have Seen Their Faces
      • James Agee & Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families
        • David Whitford, The Most Famous Story We Never Told
      • Richard Wright, 12 Million Black Voices
      • Dorothea Lange & Paul Taylor, An American Exodus
      • Gay Block, How do you like my new necklace?
      • Danny Lyon
      • Susan Meiselas, Carnival Strippers
      • Jim Goldberg
      • Tony Mendoza, identity work
    • Postmodernism, postdocumentary, postmemory
      • Images that demand consummation Postdocumentary photography, Art and Ethics, Ine Gevers
        • Martha Rosler, The Bowery in two inadequate descriptive systems
        • The Tuol Sleng photographic archive
        • Walid Ra’ad
      • Marianne Hirsch, Surviving Images: Holocaust Photographs and the Work of Postmemory
      • Mary Klages, Postmodernism, from ‘Literary Theory: A Guide for the Perplexed’
      • Mary Klages, Postmodernism Again
      • Mirror of Visual Culture: Discussing documentary, Maartje van den Heuvel
        • Thomas Struth
        • Martin Parr, Cost of Living
        • Karen Knorr, Marks of Distinction
        • Larry Sultan, The Valley
        • Nan Goldin
        • Corinne Day
        • Antoine d’Agata
          • Francis Giacobetti, Francis Bacon portraits & last interview
        • Bertien van Manen
        • Fazal Sheikh, Ramadan Moon
      • Susan Meiselas, Kurdistan: In the Shadow of History
      • Julian Germain, Steelworks
      • Howells, R. (2011) Visual Culture, Cambridge: Polity Press.
      • Futureland Now – A Conversation, John Kippin and Chris Wainwright in conversation with Liz Wells
      • Kutluğ Ataman
        • Ana Finel Honigman, What the Structure Defines: An Interview with Kutlug Ataman
        • T.J. Demos, Kutluğ Ataman: The Art of Storytelling
    • Staging or faking? Exploring the Myth of photographic truth
      • Indexical relationship as truth claim
      • Image Simulations, Computer Manipulations: Some Considerations
      • The power of the frame
      • Image reading and context
      • ‘Shady commerce’ or ‘Complex contract’
      • Blurring the distinction between fact and fiction
      • Selecting the images to fit the political agenda
      • Deliberate staging
      • Image manipulation
      • Update – Steve McCurry scandal
    • Photography versus film
  • Photofilms
    • Dinara Sharipova – Photofilm 1
    • Adilzhan Baratov – Photofilm 2
    • Yernar Sarseyev – Photofilm 3
    • Amanat Musin – Photofilm 4
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Carl Whetham photography

Category: Danny Lyon

Danny Lyon

Lyon’s seminal work of journalism is The Bikeriders from 1968. In it he explores the motorcycle gang that he was actually a member of, and displays his raw monochrome images alongside interview extracts. Continue reading “Danny Lyon”

Author carlwhethamPosted on December 13, 2016January 29, 2017Categories Danny LyonLeave a comment on Danny Lyon

categories

Archives

  • January 2017
  • December 2016

Recent Posts

  • Staging or faking? Exploring the Myth of photographic truth
  • Image-text combination as narrative instrument
  • Attitudes to disability in the media
  • Documentary and narrative traditions
  • Dorothea Lange & Paul Taylor, An American Exodus

Projects

  • Assignments (54)
    • Coda: preparing for assessment (1)
    • Initial proposal (1)
    • Lessons learned & further practice (1)
    • Photofilm 1 – Dinara Sharipova (15)
      • Dinara 1st visit (1)
      • Dinara 2nd visit (1)
      • Dinara 3rd visit (1)
      • Dinara 4th visit (1)
      • Dinara 5th visit (1)
      • Dinara Assignment 1 (1)
      • Dinara Assignment 1 Tutor report (1)
      • Dinara Assignment 1 Tutor report reflections (1)
      • Dinara Assignment 2 (1)
      • Dinara Assignment 2 Tutor report (1)
      • Dinara Assignment 2 Tutor report reflections (1)
      • Dinara Assignment 4 (1)
      • Dinara Assignment 4 Tutor report (1)
      • Dinara Assignment 4 Tutor report reflections (1)
      • Dinara Sharipova – Photofilm 1 (1)
    • Photofilm 2 – Adilzhan Baratov (16)
      • Adilzhan 1st visit (1)
      • Adilzhan 2nd visit (1)
      • Adilzhan 3rd visit (1)
      • Adilzhan 4th visit (1)
      • Adilzhan 5th visit (1)
      • Adilzhan 6th visit (1)
      • Adilzhan 7th visit (1)
      • Adilzhan 8th visit (1)
      • Adilzhan 9th visit (1)
      • Adilzhan Assignment 3 (1)
      • Adilzhan Assignment 3 Tutor report (1)
      • Adilzhan Assignment 3 Tutor report reflections (1)
      • Adilzhan Assignment 5 (1)
      • Adilzhan Assignment 5 Tutor report (1)
      • Adilzhan Assignment 5 Tutor report reflections (1)
      • Adilzhan Baratov – Photofilm 2 (1)
    • Photofilm 3 – Yernar Sarseyev (9)
      • Yernar 1st visit (1)
      • Yernar 2nd visit (1)
      • Yernar 3rd visit (1)
      • Yernar 4th visit (1)
      • Yernar 5th visit (1)
      • Yernar Assignment 6 (1)
      • Yernar Assignment 6 Tutor report form (1)
      • Yernar Assignment 6 Tutor report form reflections (1)
      • Yernar Sarseyev – Photofilm 3 (1)
    • Photofilm 4 – Amanat Musin (11)
      • Amanat 1st visit (1)
      • Amanat 2nd visit (1)
      • Amanat 3rd visit (1)
      • Amanat 4th visit (1)
      • Amanat 5th visit (1)
      • Amanat 6th visit (1)
      • Amanat 7th visit (1)
      • Amanat 8th visit (1)
      • Amanat 9th visit (1)
      • Amanat Musin – Photofilm 4 (1)
      • Amanat Photofilm 4 tutor feedback & reflections (1)
    • Production of the photofilms (1)
  • Background & Rationale (4)
    • Project participants (2)
      • False starts (1)
    • Reflections on project (1)
  • Disability Research (110)
    • Attitudes to disability in the media (17)
      • Common media stereotypes (1)
      • Disability in fashion and advertising (4)
        • Disability as parody of mainstream (1)
        • Inclusion – Mainstream Media (1)
        • Viktoria Modesta & The Alternative Limb Project (1)
      • Disability in film (1)
      • Disability, charity images and stereotypes (1)
      • Freaks, circus performers – early representations (4)
        • Freakery: Cultural Spectacles of the Extraordinary Body (1)
        • Lewis Hine (1)
        • Sebastião Salgado, The End of Polio (1)
      • Inspiration Porn (1)
      • Other mass media portrayals of disability (1)
      • Overcoming disability – the ‘supercrip’ (1)
      • The Beauty and the Freak (1)
      • Visual Rhetorics of Disability in Popular Photography (1)
    • Compassion fatigue (6)
      • David Campbell, The Myth of Compassion Fatigue (1)
      • James Johnson, ‘The Arithmetic of Compassion’: Rethinking the Politics of Photography (1)
      • Paul Slovic, “If I look at the mass I will never act”: Psychic numbing and genocide (1)
      • Susan Moeller (1)
      • Zbigniew Herbert, Mr. Cogito (1)
    • Conclusion (1)
    • Disability and dependency: access to education and employment (1)
    • Disability and sexuality: reclaiming the disabled body (5)
      • Belinda Mason-Lovering, Intimate Encounters (1)
      • Ellen Stohl (1)
      • Kyla Harris (1)
      • Rasso Bruckert, Perfect Imperfection (1)
    • Disability and the right to life (4)
      • From Eugenics to Patents: Genetics, Law, and Human Rights (1)
      • Galton and Eugenics (1)
      • Selling Murder: The Secret Propaganda Films of the Third Reich (1)
    • Disability Theory (17)
      • Constructing normalcy (1)
      • Defining disability (1)
      • Disability and identity politics (1)
      • Disability discrimination: The ADA & backlash; DDA (1)
      • Disability in Theory: From Social Constructionism to the New Realism of the Body (1)
      • Disability Studies – the medical and social models (1)
      • Disabled identity (1)
      • History of disability as social issue (1)
      • Interdependency, precariousness and the myth of autonomy (1)
      • Psychological effects of disability (1)
      • Researching the disabled identity: contextualising the identity transformations which accompany the onset of impairment (1)
      • Stigma and social attitudes (1)
      • Terminology (1)
      • The End of Normal (1)
      • The Social Construction of Disability (3)
        • Martha’s Vineyard (1)
        • The Thrice Shy: Cultural Accommodation to Blindness and Other Disasters in a Mexican Community, by John Langston Gwaltney (1)
    • Disabled artists / Artists on disability (48)
      • Blind Photographers (5)
        • Douglas McCulloh, Blind Photographers: Vision, Accessibility, and Empowerment in the Museum (1)
        • Evgen Bavčar (1)
        • Gerardo Nigenda (1)
        • Pete Eckert (1)
      • Cheryl Marie Wade (1)
      • Chuck Close (3)
        • Bruce Gilden (1)
        • Facing Dyslexia: The Education of Chuck Close (1)
      • David Hevey (1)
      • Disability and photography (8)
        • Anne Geddes, Protecting Our Tomorrows: Portraits of Meningococcal Disease (1)
        • Christopher Voelker (1)
        • Kevin Connolly (1)
        • Loren Worthington (1)
        • Palestinian war correspondents (1)
        • The ADA image project (1)
        • Tom Olin (1)
      • Disability culture (1)
      • Disability, Life Narrative, and Representation (1)
      • Frank Moore (1)
      • Jim Ferris (1)
      • Lennard Davis, The Disability Paradox: Ghettoisation of the Visual (3)
        • Alison Lapper (1)
        • Marc Quinn (1)
      • Lennard J. Davis, Nude Venuses, Medusa's Body, and Phantom Limbs: Disability and Visuality (2)
        • Mary Duffy (1)
      • Marie Chouinard, “bODY_rEMIX / gOLDBERG_vARIATIONS” (1)
      • Narratives of illness & disability (6)
        • Bob Flanagan, Supermasochist (1)
        • Hannah Wilke (1)
        • Jo Spence (1)
        • Matuschka (1)
        • Tobin Siebers, My Withered Limb (1)
      • Nicholas Nixon: photographing the fragility of the human condition (1)
      • Pete Mansell (1)
      • Riva Lehrer (1)
      • Sophie Calle, Les Aveugles (4)
        • Joseph Grigely, Postcards to Sophie Calle (3)
          • Sander L. Gilman, Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature (1)
          • Sarah ‘Saartjie’ Baartman, the “Hottentot Venus” (1)
      • Sunny (Sunaura) Taylor (2)
        • Examined Life with Judith Butler (1)
      • The Enfreakment of Photography (3)
        • Diane Arbus and her ‘freaks’ (1)
        • Winogrand and disabled people (1)
      • Vital Signs: Crip Culture Talks Back (1)
    • Informed Consent (9)
      • "You Still Takin' Notes?" Fieldwork and Problems of Informed Consent, Barrie Thorne (1)
      • Fred Wiseman, Adjustment and Work (1)
      • Fred Wiseman, Titicut Follies (1)
      • Informed Consent: Must or Myth? by Willemien Sanders (1)
      • Lisa Henderson, Access and Consent in Public Photography (1)
      • The Conundrum of Competing Rights, Carolyn Anderson (1)
      • The Politics of Asking and the Myth of Informed Consent, Carolyn Anderson & Thomas W. Benson (1)
      • The Right of Privacy and Freedom of the Press, Thomas I. Emerson (1)
      • Ultimately We Are All Outsiders: The Ethics of Documentary Filming, Calvin Pryluck (1)
  • Documentary and narrative traditions (53)
    • Allan Sekula, Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation) (3)
      • Fred Lonidier (1)
      • Phel Steinmetz (1)
    • Allan Sekula, photo works (3)
      • David Antin (1)
      • Studs Terkel (1)
    • Beaumont Newhall, Documentary Approach to Photography (4)
      • Ben Shahn: Robert Frank’s precursor? (1)
      • Erich Salomon (1)
      • Thomas Annan: socially concerned photographer? (1)
    • Image-text combination as narrative instrument (12)
      • Brandon Stanton, Humans of New York (HONY) (1)
      • Danny Lyon (1)
      • Dorothea Lange & Paul Taylor, An American Exodus (1)
      • Erskine Caldwell & Margaret Bourke-White, You Have Seen Their Faces (1)
      • Gay Block, How do you like my new necklace? (1)
      • James Agee & Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families (2)
        • David Whitford, The Most Famous Story We Never Told (1)
      • Jim Goldberg (1)
      • Richard Wright, 12 Million Black Voices (1)
      • Susan Meiselas, Carnival Strippers (1)
      • Tony Mendoza, identity work (1)
    • Photography versus film (1)
    • Postmodernism, postdocumentary, postmemory (26)
      • Futureland Now – A Conversation, John Kippin and Chris Wainwright in conversation with Liz Wells (1)
      • Howells, R. (2011) Visual Culture, Cambridge: Polity Press. (1)
      • Images that demand consummation Postdocumentary photography, Art and Ethics, Ine Gevers (1)
      • Julian Germain, Steelworks (1)
      • Kutluğ Ataman (3)
        • Ana Finel Honigman, What the Structure Defines: An Interview with Kutlug Ataman (1)
        • T.J. Demos, Kutluğ Ataman: The Art of Storytelling (1)
      • Marianne Hirsch, Surviving Images: Holocaust Photographs and the Work of Postmemory (1)
      • Martha Rosler, The Bowery in two inadequate descriptive systems (1)
      • Mary Klages, Postmodernism Again (1)
      • Mary Klages, Postmodernism, from ‘Literary Theory: A Guide for the Perplexed’ (1)
      • Mirror of Visual Culture: Discussing documentary, Maartje van den Heuvel (11)
        • Antoine d'Agata (2)
          • Francis Giacobetti, Francis Bacon portraits & last interview (1)
        • Bertien van Manen (1)
        • Corinne Day (1)
        • Fazal Sheikh, Ramadan Moon (1)
        • Karen Knorr, Marks of Distinction (1)
        • Larry Sultan, The Valley (1)
        • Martin Parr, Cost of Living (1)
        • Nan Goldin (1)
        • Thomas Struth (1)
      • Susan Meiselas, Kurdistan: In the Shadow of History (1)
      • The Tuol Sleng photographic archive (1)
      • Walid Ra’ad (1)
    • Power of photography to change public opinion (1)
    • Serving Up the Poor as Exotic Fare for Voyeurs (1)
    • The art of storytelling and the construction of narratives (1)
  • Staging or faking? Exploring the Myth of photographic truth (11)
    • ‘Shady commerce’ or ‘Complex contract’ (1)
    • Blurring the distinction between fact and fiction (1)
    • Deliberate staging (1)
    • Image manipulation (1)
    • Image reading and context (1)
    • Image Simulations, Computer Manipulations: Some Considerations (1)
    • Indexical relationship as truth claim (1)
    • Selecting the images to fit the political agenda (1)
    • The power of the frame (1)
    • Update – Steve McCurry scandal (1)
  • Works cited (2)
    • Film references (1)

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  • Home
  • Contents
    • About
    • Background & Rationale
    • Initial proposal
    • Production of the photofilms
    • Lessons learned & further practice
    • Works cited
  • Assignments
    • Assignment 1
      • Dinara Assignment 1
      • Dinara Assignment 1 Tutor report
      • Dinara Assignment 1 Tutor report response
    • Assignment 2
      • Dinara Assignment 2
      • Dinara Assignment 2 Tutor report
      • Dinara Assignment 2 Tutor report response
    • Assignment 3
      • Adilzhan Assignment 3
      • Adilzhan Assignment 3 Tutor report
      • Adilzhan Assignment 3 Tutor report response
    • Assignment 4
      • Dinara Assignment 4
      • Dinara Assignment 4 Tutor report
      • Dinara Assignment 4 Tutor report response
    • Assignment 5
      • Adilzhan Assignment 5
      • Adilzhan Assignment 5 Tutor report
      • Adilzhan Assignment 5 Tutor report response
    • Assignment 6
      • Yernar Assignment 6
      • Yernar Assignment 6 Tutor report
      • Yernar Assignment 6 Tutor report response
    • Coda
  • Disability Research
    • Attitudes to disability in the media
      • Disability, charity images and stereotypes
        • Common media stereotypes
        • Overcoming disability – the ‘supercrip’
        • Inspiration Porn
      • Disability in fashion and advertising
        • Disability as parody of mainstream
        • Inclusion – Mainstream Media
        • Viktoria Modesta & The Alternative Limb Project
      • Disability in film
      • Other mass media portrayals of disability
      • Freaks, circus performers – early representations
        • Freakery: Cultural Spectacles of the Extraordinary Body
        • Lewis Hine
        • Sebastião Salgado, The End of Polio
        • The Beauty and the Freak
      • Visual Rhetorics of Disability in Popular Photography
    • Disabled artists / Artists on disability
      • The Enfreakment of Photography
        • Diane Arbus and her ‘freaks’
        • Winogrand and disabled people
        • David Hevey
      • Nicholas Nixon: photographing the fragility of the human condition
      • Disability culture
      • Vital Signs: Crip Culture Talks Back
      • Cheryl Marie Wade
      • Frank Moore
      • Jim Ferris
      • Riva Lehrer
      • Sunny (Sunaura) Taylor
        • Examined Life with Judith Butler
      • Chuck Close
        • Facing Dyslexia: The Education of Chuck Close
        • Bruce Gilden
      • Disability and photography
        • The ADA image project
        • Tom Olin
        • Christopher Voelker
        • Loren Worthington
        • Kevin Connolly
        • Palestinian war correspondents
        • Anne Geddes, Protecting Our Tomorrows: Portraits of Meningococcal Disease
        • Pete Mansell
        • Douglas McCulloh, Blind Photographers: Vision, Accessibility, and Empowerment in the Museum
          • Pete Eckert
          • Gerardo Nigenda
          • Evgen Bavčar
      • Sophie Calle, Les Aveugles
        • Joseph Grigely, Postcards to Sophie Calle
          • Sarah ‘Saartjie’ Baartman, the “Hottentot Venus”
          • Sander L. Gilman, Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature
      • Lennard Davis, The Disability Paradox: Ghettoisation of the Visual
        • Marc Quinn
        • Alison Lapper
      • Lennard J. Davis, Nude Venuses, Medusa’s Body, and Phantom Limbs: Disability and Visuality
        • Mary Duffy
      • Narratives of illness & disability
        • Jo Spence
        • Hannah Wilke
        • Matuschka
        • Bob Flanagan, Supermasochist
        • Tobin Siebers, My Withered Limb
        • Disability, Life Narrative, and Representation
      • Marie Chouinard, “bODY_rEMIX / gOLDBERG_vARIATIONS”
    • Disability and sexuality: reclaiming the disabled body
      • Ellen Stohl
      • Kyla Harris
      • Belinda Mason-Lovering, Intimate Encounters
      • Rasso Bruckert, Perfect Imperfection
    • Disability and dependency: access to education and employment
      • Interdependency, precariousness and the myth of autonomy
    • Disability and the right to life
      • Galton and Eugenics
      • Selling Murder: The Secret Propaganda Films of the Third Reich
      • From Eugenics to Patents: Genetics, Law, and Human Rights
    • Disability Theory
      • Terminology
      • History of disability as social issue
      • Disability Studies – the medical and social models
      • Defining disability
      • Disabled identity
      • Disability and identity politics
      • Researching the disabled identity: contextualising the identity transformations which accompany the onset of impairment
      • Stigma and social attitudes
      • Psychological effects of disability
      • Constructing normalcy
        • The Social Construction of Disability
          • Martha’s Vineyard
          • The Thrice Shy: Cultural Accommodation to Blindness and Other Disasters in a Mexican Community, by John Langston Gwaltney
      • Disability in Theory: From Social Constructionism to the New Realism of the Body
      • The End of Normal
      • Disability discrimination: The ADA & backlash; DDA
    • Informed Consent
      • Fred Wiseman, Titicut Follies
      • The Politics of Asking and the Myth of Informed Consent, Carolyn Anderson & Thomas W. Benson
      • The Conundrum of Competing Rights, Carolyn Anderson
      • The Right of Privacy and Freedom of the Press, Thomas I. Emerson
      • Informed Consent: Must or Myth? by Willemien Sanders
      • Ultimately We Are All Outsiders: The Ethics of Documentary Filming, Calvin Pryluck
      • “You Still Takin’ Notes?” Fieldwork and Problems of Informed Consent, Barrie Thorne
      • Lisa Henderson, Access and Consent in Public Photography
      • Fred Wiseman, Adjustment and Work
    • Compassion fatigue
      • David Campbell, The Myth of Compassion Fatigue
      • James Johnson, ‘The Arithmetic of Compassion’: Rethinking the Politics of Photography
      • Paul Slovic, “If I look at the mass I will never act”: Psychic numbing and genocide
      • Susan Moeller
      • Zbigniew Herbert, Mr. Cogito
    • Conclusion
  • Documentary Research
    • Documentary and narrative traditions
      • The art of storytelling and the construction of narratives
      • Beaumont Newhall, Documentary Approach to Photography
        • Ben Shahn: Robert Frank’s precursor?
        • Erich Salomon
      • Thomas Annan: socially concerned photographer?
      • Allan Sekula, Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)
        • Fred Lonidier
        • Phel Steinmetz
      • Allan Sekula, photo works
        • Studs Terkel
        • David Antin
      • Serving Up the Poor as Exotic Fare for Voyeurs
      • Power of photography to change public opinion
    • Image-text combination as narrative instrument
      • Erskine Caldwell & Margaret Bourke-White, You Have Seen Their Faces
      • James Agee & Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families
        • David Whitford, The Most Famous Story We Never Told
      • Richard Wright, 12 Million Black Voices
      • Dorothea Lange & Paul Taylor, An American Exodus
      • Gay Block, How do you like my new necklace?
      • Danny Lyon
      • Susan Meiselas, Carnival Strippers
      • Jim Goldberg
      • Tony Mendoza, identity work
    • Postmodernism, postdocumentary, postmemory
      • Images that demand consummation Postdocumentary photography, Art and Ethics, Ine Gevers
        • Martha Rosler, The Bowery in two inadequate descriptive systems
        • The Tuol Sleng photographic archive
        • Walid Ra’ad
      • Marianne Hirsch, Surviving Images: Holocaust Photographs and the Work of Postmemory
      • Mary Klages, Postmodernism, from ‘Literary Theory: A Guide for the Perplexed’
      • Mary Klages, Postmodernism Again
      • Mirror of Visual Culture: Discussing documentary, Maartje van den Heuvel
        • Thomas Struth
        • Martin Parr, Cost of Living
        • Karen Knorr, Marks of Distinction
        • Larry Sultan, The Valley
        • Nan Goldin
        • Corinne Day
        • Antoine d’Agata
          • Francis Giacobetti, Francis Bacon portraits & last interview
        • Bertien van Manen
        • Fazal Sheikh, Ramadan Moon
      • Susan Meiselas, Kurdistan: In the Shadow of History
      • Julian Germain, Steelworks
      • Howells, R. (2011) Visual Culture, Cambridge: Polity Press.
      • Futureland Now – A Conversation, John Kippin and Chris Wainwright in conversation with Liz Wells
      • Kutluğ Ataman
        • Ana Finel Honigman, What the Structure Defines: An Interview with Kutlug Ataman
        • T.J. Demos, Kutluğ Ataman: The Art of Storytelling
    • Staging or faking? Exploring the Myth of photographic truth
      • Indexical relationship as truth claim
      • Image Simulations, Computer Manipulations: Some Considerations
      • The power of the frame
      • Image reading and context
      • ‘Shady commerce’ or ‘Complex contract’
      • Blurring the distinction between fact and fiction
      • Selecting the images to fit the political agenda
      • Deliberate staging
      • Image manipulation
      • Update – Steve McCurry scandal
    • Photography versus film
  • Photofilms
    • Dinara Sharipova – Photofilm 1
    • Adilzhan Baratov – Photofilm 2
    • Yernar Sarseyev – Photofilm 3
    • Amanat Musin – Photofilm 4
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